Uttarakhand (English: , or ; Hindi: ['ʊt̪ːərɑːkʰəɳɖ], lit. 'Northern Land'), also known as Uttaranchal (English: ; the official name until 2007), is a state in the northern part of India. It is often referred to as the "Devbhumi" (literally 'Land of the Gods') due to its religious significance and numerous Hindu temples and pilgrimage centres found throughout the state. Uttarakhand is known for the natural environment of the Himalayas, the Bhabar and the Terai regions. It borders the Tibet Autonomous Region of China to the north; the Sudurpashchim Province of Nepal to the east; the Indian states of Uttar Pradesh to the south and Himachal Pradesh to the west and north-west. The state is divided into two divisions, Garhwal and Kumaon, with a total of 13 districts. The winter capital of Uttarakhand is Dehradun, the largest city of the state, which is a rail head. Bhararisain, a town in Chamoli district, is the summer capital of Uttarakhand. The High Court of the state is located in Nainital. Archaeological evidence supports the existence of humans in the region since prehistoric times. The region formed a part of the Uttarakuru Kingdom during the Vedic age of Ancient India. Among the first major dynasties of Kumaon were the Kunindas in the second century BCE who practiced an early form of Shaivism. Ashokan edicts at Kalsi show the early presence of Buddhism in this region. During the medieval period, the region was consolidated under the Katyuri rulers of Kumaon also known as 'Kurmanchal Kingdom'. After the fall of Katyuris, the region was divided into the Kumaon Kingdom and the Garhwal Kingdom. In 1816, most of modern Uttarakhand was ceded to the British as part of the Treaty of Sugauli. Although the erstwhile hill kingdoms of Garhwal and Kumaon were traditional rivals, the proximity of different neighbouring ethnic groups and the inseparable and complementary nature of their geography, economy, culture, language, and traditions created strong bonds between the two regions, which further strengthened during the Uttarakhand movement for statehood in the 1990s. The natives of the state are generally called Uttarakhandi, or more specifically either Garhwali or Kumaoni by their region of origin. According to the 2011 Census of India, Uttarakhand has a population of 10,086,292, making it the 20th most populous state in India.

Samba (Portuguese pronunciation: [ˈsɐ̃bɐ] (listen)), also known as samba urbano carioca (urban Carioca samba) or simply samba carioca (Carioca samba), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.Samba was modernly structured as a musical genre only in the late 1920s from the neighborhood of Estácio and soon extended to Oswaldo Cruz and other parts of Rio through its commuter rail. Today synonymous with the rhythm of samba, this new samba brought innovations in rhythm, melody and also in thematic aspects. Its rhythmic change based on a new percussive instrumental pattern resulted in a more "batucado" and syncopated style – as opposed to the inaugural "samba-maxixe" – notably characterized by a faster tempo, longer notes and a characterized cadence far beyond the simple ones palms used so far. Also the "Estácio paradigm" innovated in the formatting of samba as a song, with its musical organization in first and second parts in both melody and lyrics. In this way, the sambistas of Estácio created, structured and redefined the urban Carioca samba as a genre in a modern and finished way. In this process of establishment as an urban and modern musical expression, the Carioca samba had the decisive role of samba schools, responsible for defining and legitimizing definitively the aesthetic bases of rhythm, and radio broadcasting, which greatly contributed to the diffusion and popularization of the genre and its song singers. Thus, samba has achieved major projection throughout Brazil and has become one of the main symbols of Brazilian national identity. Once criminalized and rejected for its Afro-Brazilian origins, and definitely working-class music in its mythic origins, the genre has also received support from members of the upper classes and the country's cultural elite.At the same time that it established itself as the genesis of samba, the "Estácio paradigm" paved the way for its fragmentation into new sub-genres and styles of composition and interpretation throughout the 20th century. Mainly from the so-called "golden age" of Brazilian music, samba received abundant categorizations, some of which denote solid and well-accepted derivative strands – such as bossa nova, pagode, partido alto, samba de breque, samba-canção, samba de enredo and samba de terreiro – while other nomenclatures were somewhat more imprecise – such as samba do barulho (literally "noise samba"), samba epistolar ("epistolary samba") ou samba fonético ("phonetic samba") – and some merely derogatory – such as sambalada, sambolero or sambão joia.The modern samba that emerged at the beginning of the 20th century is predominantly in a 24 time signature varied with the conscious use of a sung chorus to a batucada rhythm, with various stanzas of declaratory verses. Its traditial instrumentation is composed of percussion instruments such as the pandeiro, cuíca, tamborim, ganzá and surdo accompaniment – whose inspiration is choro – such as classical guitar and cavaquinho. In 2007, the Brazilian National Institute of Historic and Artistic Heritage declared Carioca samba and three of its matrixes – samba de terreiro, partido-alto and samba de enredo – as cultural heritage in Brazil.